Michael Chabon
Michael Chabon, author of The Amazing Adventures of Kavalier & Clay, Moonglow, and The Yiddish Policeman’s Union, is one of the most acclaimed talents in contemporary fiction. The Mysteries of Pittsburgh, published when...
NEW YORK TIMES BESTSELLER
Winner of the Sophie Brody Medal • An NBCC Finalist for 2016 Award for Fiction • ALA Carnegie Medal Finalist for Excellence in Fiction • Wall Street Journal's Best Novel of the Year • A New York Times Notable Book of the Year • A Washington Post Best Book of the Year • An NPR Best Book of the Year • A Slate Best Book of the Year • A Christian
...On January 19, 1920, a small group of idealists and visionaries, including Helen Keller, Jane Addams, Roger Baldwin, and Crystal Eastman,...
8) Wonder Boys
A wildly successful first novel made Grady Tripp a young star, and seven years later he still hasn’t grown up. He’s now a writing professor in Pittsburgh, plummeting through middle age, stuck with an unfinishable manuscript,...
“A picaresque, swashbuckling adventure.”—The Washington Post Book World
They’re an odd pair, to be sure: pale, rail-thin, black-clad Zelikman, a moody, itinerant physician fond of jaunty headgear, and ex-soldier Amram, a gray-haired giant of a man as quick with a razor-tongued...
“I read for entertainment, and I write to entertain. Period.” Such is the manifesto of Michael Chabon, an author of indisputable literary renown who maintains a fierce appreciation of the seductive arts of so-called “genre” fiction.
In this lively collection...
Retired to the English countryside, an eighty-nine-year-old man, rumored to be a once-famous detective, is more concerned with his beekeeping than with his fellow man. Into his life wanders Linus Steinman, nine years old and mute, who has escaped from Nazi Germany with his sole companion: an African gray parrot.
What is the meaning of the mysterious strings of German numbers the bird spews out—a top-secret SS code? The keys to a series
..."Chabon has always been a magical prose stylist, adept at combining the sort of social and emotional detail found in Philip Roth's Goodbye, Columbus stories with the metaphor-rich descriptions of John Updike and John Irving's inventive sleight of hand. . . . As in his novels, he shifts gears easily between the comic and the melancholy, the whimsical and the serious, demonstrating once again his ability to write about the big subjects of love and
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