Marc Maron
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"Public figures as you rarely if ever hear them: strikingly personal, surprisingly open, and profoundly emotional."
- Entertainment Weekly
"I'm British, so I'm medically dead inside, but even I can't help but open up whenever I talk to Marc. He uses his honestly like a scalpel, cutting himself open in front of anyone he's talking to, and in doing so, invites you to do the same."
-John Oliver
From the beloved and wildly popular podcast WTF with...
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Marc Maron returns to his old stomping grounds for an intimate special in which he takes stock of himself. More than ever, Maron is raw and hilariously honest as he dissects his own neuroses and self-loathing while providing outrageous anecdotes from his personal life, in which he starts to realize the hurt isn't real, it's just "Thinky Pain."
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SWORD OF TRUST starring Marc Maron (Joker, GLOW, Maron) is the last feature from the celebrated auteur Lynn Shelton (Your Sister's Sister, Laggies, Humpday), who sadly recently passed away. Produced by Joe Swanberg, it was released theatrically in the U.S. nationwide by IFC Films and received strong reviews for Maron's hilarious performance. Rounding out the ensemble cast is Jillian Bell (Brittany Runs A Marathon, Workaholics, Bill & Ted Face The...
7) Respect
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"Following the rise of Aretha Franklin's career from a young child singing in her father's church's choir to her international superstardom, Respect is the remarkable true story of the music icon's journey to find her voice and become the Queen of Soul." --container.
8) The bad guys
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"Never have there been five friends as infamous as The Bad Guys - Mr. Wolf, Mr. Snake, Mr. Piranha, Mr. Shark and Ms. Tarantula. After years of countless heists and being the world's most-wanted villains, the gang is finally caught. Mr. Wolf brokers a deal to keep them out of prison, and the Bad Guys set out to fool the world into believing they've gone good." --container.
9) The order
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"Based on a true story, veteran FBI agent Terry Husk investigates a string of violent bank robberies, only to uncover a ruthless militia and a chilling conspiracy that threatens to ignite nationwide chaos"--Container.
10) Stardust
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In 1971, a 24-year-old fledgling David Bowie (Johnny Flynn) is sent to America to promote his newest record, The Man Who Sold the World. Leaving behind his pregnant wife Angie (Jena Malone), Bowie and his band embark on a makeshift tour with struggling Mercury Records publicist Rob Oberman (Marc Maron). Stateside, Bowie is quickly met with an audience that's not yet ready for him. Bowie begins to realize a need to reinvent himself. His iconic, celestial...
11) Genie
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From Oscar-nominated screenwriter Richard Curtis, comes Genie, a holiday fairytale comedy about a genie, a man, and landing one last chance to fix the mess you've made of your life. With his job, life and family unraveling around him, a despondent Bernard dusts off a jewelry box and unintentionally releases genie Flora who just might be able to help him. Maybe. It's a longshot, frankly. In the process, Flora and Bernard will discover that love, and...
12) Stardust
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"In 1971, a 24-year-old fledgling artist named David Bowie is sent to America to promote his newest record, The Man Who Sold the World. He is quickly met with an audience who are not yet ready for him. But during the tumultuous journey, Bowie slowly begins to realize a need to reinvent himself in order to truly become himself . . . and it's within that realization that his iconic, celestial alter-ego Ziggy Stardust is born."--container.
14) I Am Road Comic
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People are fascinated more than ever about what drives comedians to do what they do and, more importantly, how they pull it off. Director and comedian Jordan Brady explores these questions and more in this documentary film, a sequel to "I Am Comic." Featuring Jim Norton, W. Kamau Bell, Marc Maron, Pete Holmes, Judah Friedlander, Doug Benson, Nikki Glaser, T.J. Miller, Maria Bamford, and many more.
16) Any Man: A Novel
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"An explosive, shapeshifting piece of literary real estate, Amber Tamblyn's arresting debut offers a scathing portrait of American celebrity culture and the way in which it transmutes human tragedy into a vicious circus; victims are forgotten as likes and shares swirl, and 'news' becomes a squalid orgy, a lurid feast. Tamblyn takes every risk in this astonishing and innovative work, and succeeds, gloriously."
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