Ken Burns: Jazz: The Gift
(eVideo)

Book Cover
Average Rating
Author
Published
PBS, 2000.
Status
Available Online

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Physical Description
2h 0m 0s
Format
eVideo
Language
English

Citations

APA Citation, 7th Edition (style guide)

Ken Burns., & Ken Burns|PRODUCER. (2000). Ken Burns: Jazz: The Gift . PBS.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Ken Burns and Ken Burns|PRODUCER. 2000. Ken Burns: Jazz: The Gift. PBS.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Ken Burns and Ken Burns|PRODUCER. Ken Burns: Jazz: The Gift PBS, 2000.

MLA Citation, 9th Edition (style guide)

Ken Burns, and Ken Burns|PRODUCER. Ken Burns: Jazz: The Gift PBS, 2000.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID14c72da9-594b-e96f-d329-eb65ae2909c9-eng
Full titleken burns jazz the gift
Authorburns ken
Grouping Categorymovie
Last Update2024-05-16 02:01:01AM
Last Indexed2024-07-20 02:27:55AM

Book Cover Information

Image Sourcehoopla
First LoadedJun 15, 2023
Last UsedMay 25, 2024

Hoopla Extract Information

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    [synopsis] => The second episode is set during the tumultuous era known as the "Jazz Age," when the rhythms and spirit of jazz music mirror the world that emerged in the wake of World War I. The program introduces two extraordinary individuals whose lives will be interwoven throughout the rest of the series: the brilliant bandleader and composer Duke Ellington and the virtuoso New Orleans-born cornetist Louis Armstrong, who single-handedly transforms jazz from ensemble music to a soloist's art. This episode follows black bandleader and WWI hero James Reese Europe and his Harlem regiment to the war in France and back home again. In the l920s, jazz enters American living rooms through radio and phonograph records. The migration of millions of African Americans from the South to the North helps create a receptive audience for the new music -- especially evident on the south side of Chicago. White musicians, entranced by the recordings and the music they hear in Chicago's night clubs, begin to make their mark on jazz.
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