Ken Burns: Jazz: Our Language
(eVideo)

Book Cover
Average Rating
Author
Published
PBS, 2000.
Status
Available Online

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Physical Description
2h 0m 0s
Format
eVideo
Language
English

Citations

APA Citation, 7th Edition (style guide)

Ken Burns., & Ken Burns|PRODUCER. (2000). Ken Burns: Jazz: Our Language . PBS.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Ken Burns and Ken Burns|PRODUCER. 2000. Ken Burns: Jazz: Our Language. PBS.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Ken Burns and Ken Burns|PRODUCER. Ken Burns: Jazz: Our Language PBS, 2000.

MLA Citation, 9th Edition (style guide)

Ken Burns, and Ken Burns|PRODUCER. Ken Burns: Jazz: Our Language PBS, 2000.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work IDaf22e8eb-9f22-2843-a456-90001553f6ac-eng
Full titleken burns jazz our language
Authorburns ken
Grouping Categorymovie
Last Update2023-07-14 06:24:26AM
Last Indexed2024-02-24 04:04:37AM

Book Cover Information

Image Sourcehoopla
First LoadedMay 2, 2023
Last UsedFeb 24, 2024

Hoopla Extract Information

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    [synopsis] => Louis Armstrong arrives in New York from Chicago where, during a brief stay with the Fletcher Henderson band, he amazes his fellow musicians and teaches the city to swing. A blues craze, spearheaded by Bessie Smith, takes the nation by storm. Cornetist Bix Beiderbecke, the first great white jazz artist, eventually plays for bandleader Paul Whiteman, whose blending of classical and jazz traditions comes to epitomize jazz for many Americans. This episode also traces the childhood of Benny Goodman, whose musicianship catapults him out of the slums of Chicago; and Goodman's eventual rival, clarinetist Artie Shaw, who also escapes ghetto life though jazz. Clarinetist Sidney Bechet takes his fiery music to Europe, and singer Ethel Waters brings a new kind of artistry to American popular song. Jelly Roll Morton advances the art of jazz composition, and Duke Ellington begins his incomparable career as the pre-eminent composer in jazz history. The episode ends with Louis Armstrong's teaming with pianist Earl Hines in l928 to make a series of pivotal recordings that culminate in the masterpiece "West End Blues."
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