Ken Burns: Jazz: The True Welcome
(eVideo)

Book Cover
Average Rating
Author
Published
PBS, 2000.
Status
Available Online

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Physical Description
2h 0m 0s
Format
eVideo
Language
English

Citations

APA Citation, 7th Edition (style guide)

Ken Burns., & Ken Burns|PRODUCER. (2000). Ken Burns: Jazz: The True Welcome . PBS.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Ken Burns and Ken Burns|PRODUCER. 2000. Ken Burns: Jazz: The True Welcome. PBS.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Ken Burns and Ken Burns|PRODUCER. Ken Burns: Jazz: The True Welcome PBS, 2000.

Harvard Citation (style guide)

Ken Burns. and Ken Burns|PRODUCER. (2000). Ken burns: jazz: the true welcome. PBS.

MLA Citation, 9th Edition (style guide)

Ken Burns, and Ken Burns|PRODUCER. Ken Burns: Jazz: The True Welcome PBS, 2000.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID2f58ba37-191c-a9aa-fbb6-b97c1330b526-eng
Full titleken burns jazz the true welcome
Authorburns ken
Grouping Categorymovie
Last Update2024-05-16 02:01:01AM
Last Indexed2025-03-15 03:31:49AM

Book Cover Information

Image Sourcehoopla
First LoadedJun 15, 2023
Last UsedJan 9, 2025

Hoopla Extract Information

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    [synopsis] => Amid the hard times of the Depression, a new dance, the Lindy Hop, begins to catch on at the dance halls of New York. The reminiscences of two of Harlem's greatest dancers, Frankie Manning and Norma Miller, help frame this episode. Louis Armstrong begins to sing on stage; though his career suffers from a string of bad luck, his trumpet playing and singing continue to astonish listeners. Duke Ellington's band begins to appear in Hollywood films, and he provides audiences in America and abroad with an image of elegant sophistication. The privileged young writer and music producer John Hammond promotes jazz and social justice with equal zeal. Benny Goodman becomes a successful bandleader, Fats Waller becomes one of the most popular entertainers in the country and pianist Art Tatum brings a dazzling virtuosity to the music. As swing dancing catches on, a new kind of big band jazz begins to emerge.
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