Such a Rare Thing: The Art of Sherwood Anderson's Winesburg, Ohio
(eBook)

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Published
The Kent State University Press, 2008.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781612775883

Citations

APA Citation, 7th Edition (style guide)

Clarence Lindsay., & Clarence Lindsay|AUTHOR. (2008). Such a Rare Thing: The Art of Sherwood Anderson's Winesburg, Ohio . The Kent State University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Clarence Lindsay and Clarence Lindsay|AUTHOR. 2008. Such a Rare Thing: The Art of Sherwood Anderson's Winesburg, Ohio. The Kent State University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Clarence Lindsay and Clarence Lindsay|AUTHOR. Such a Rare Thing: The Art of Sherwood Anderson's Winesburg, Ohio The Kent State University Press, 2008.

MLA Citation, 9th Edition (style guide)

Clarence Lindsay, and Clarence Lindsay|AUTHOR. Such a Rare Thing: The Art of Sherwood Anderson's Winesburg, Ohio The Kent State University Press, 2008.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID16b42e72-e0cc-e7d7-3dde-3186dfb3f6a9-eng
Full titlesuch a rare thing the art of sherwood andersons winesburg ohio
Authorlindsay clarence
Grouping Categorybook
Last Update2023-07-14 06:24:26AM
Last Indexed2024-05-03 02:23:02AM

Book Cover Information

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First LoadedSep 13, 2023
Last UsedSep 13, 2023

Hoopla Extract Information

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    [synopsis] => This critical study of Sherwood Anderson's most famous and perhaps most widely taught work, Winesburg, Ohio, treats it as a thoroughly modernist novel examining the aesthetic nature of romantic identity. Author Clarence Lindsay argues that Anderson's famous theory of the Grotesque is a theory of American identity. Each of the small town's grotesques in effect authors a romantic narrative that privileges the self. In trying to live their lives by that narrative, each enacts a romantic selfhood. Each of these romantic selfhoods is an aesthetic enterprise, complicated by all the aesthetic issues relating to artist and audience. Every crisis in the novel is an aesthetic crisis; every comedy, every tragedy is an aesthetic misstep of some sort. Lindsay proposes that all moral issues in Winesburg, Ohio are aesthetic; all aesthetic issues are moral. Winesburg's narrator's careful attention to characters' romantic narratives of self provides an ironic scrutiny of not only the astonishing varieties of American romantic identity but also a painstaking interrogation of a variety of romantic discourses. Anderson's radical formal innovation, the interrelated tale, was the perfect American form, not only allowing for the narrator's "democracy of fascination" with the grotesques' absolutely equal competing singularities but also providing for the comic juxtaposition of these claims on uniqueness, a jostling that subverts the traditional novel's emphasis on the singular individual. This first sustained critical analysis of this American classic restores Anderson to the top rank of American artists, placing him alongside other intense scrutinizers of American romanticism: Hawthorne, Melville, and Hemingway.
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