The Grasp That Reaches beyond the Grave: The Ancestral Call in Black Women's Texts
(eBook)

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Published
State University of New York Press, 2013.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781438447384

Citations

APA Citation, 7th Edition (style guide)

Venetria K. Patton., & Venetria K. Patton|AUTHOR. (2013). The Grasp That Reaches beyond the Grave: The Ancestral Call in Black Women's Texts . State University of New York Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Venetria K. Patton and Venetria K. Patton|AUTHOR. 2013. The Grasp That Reaches Beyond the Grave: The Ancestral Call in Black Women's Texts. State University of New York Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Venetria K. Patton and Venetria K. Patton|AUTHOR. The Grasp That Reaches Beyond the Grave: The Ancestral Call in Black Women's Texts State University of New York Press, 2013.

MLA Citation, 9th Edition (style guide)

Venetria K. Patton, and Venetria K. Patton|AUTHOR. The Grasp That Reaches Beyond the Grave: The Ancestral Call in Black Women's Texts State University of New York Press, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID9b7eef50-54ce-1bd1-434f-6e90b9076083-eng
Full titlegrasp that reaches beyond the grave the ancestral call in black womens texts
Authorpatton venetria k
Grouping Categorybook
Last Update2023-08-22 21:00:58PM
Last Indexed2024-05-02 04:07:36AM

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Last UsedMay 2, 2024

Hoopla Extract Information

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    [synopsis] => Explores Black women writers' treatment of the ancestor figure.

The Grasp That Reaches beyond the Grave investigates the treatment of the ancestor figure in Toni Cade Bambara's The Salt Eaters, Paule Marshall's Praisesong for the Widow, Phyllis Alesia Perry's Stigmata and A Sunday in June, Toni Morrison's Beloved, Tananarive Due's The Between, and Julie Dash's film, Daughters of the Dust in order to understand how they draw on African cosmology and the interrelationship of ancestors, elders, and children to promote healing within the African American community. Venetria K. Patton suggests that the experience of slavery with its concomitant view of black women as "natally dead" has impacted African American women writers' emphasis on elders and ancestors as they seek means to counteract notions of black women as somehow disconnected from the progeny of their wombs. This misperception is in part addressed via a rich kinship system, which includes the living and the dead. Patton notes an uncanny connection between depictions of elder, ancestor, and child figures in these texts and Kongo cosmology. These references suggest that these works are examples of Africanisms or African retentions, which continue to impact African American culture.

Venetria K. Patton is Associate Professor of English and Director of the African American Studies and Research Center at Purdue University. She is the author of Women in Chains: The Legacy of Slavery in Black Women's Fiction, also published by SUNY Press, and coeditor (with Maureen Honey) of Double-Take: A Revisionist Harlem Renaissance Anthology.
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