Learning Not to Be First: The Life of Christina Rossetti
(eBook)

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Published
The Book Mill, 2019.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780956730329

Citations

APA Citation, 7th Edition (style guide)

Kathleen Jones., & Kathleen Jones|AUTHOR. (2019). Learning Not to Be First: The Life of Christina Rossetti . The Book Mill.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Kathleen Jones and Kathleen Jones|AUTHOR. 2019. Learning Not to Be First: The Life of Christina Rossetti. The Book Mill.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Kathleen Jones and Kathleen Jones|AUTHOR. Learning Not to Be First: The Life of Christina Rossetti The Book Mill, 2019.

MLA Citation, 9th Edition (style guide)

Kathleen Jones, and Kathleen Jones|AUTHOR. Learning Not to Be First: The Life of Christina Rossetti The Book Mill, 2019.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID8b3f4aa9-4edc-2c1b-f562-486acc115295-eng
Full titlelearning not to be first the life of christina rossetti
Authorjones kathleen
Grouping Categorybook
Last Update2024-05-16 02:01:01AM
Last Indexed2024-05-25 04:13:15AM

Book Cover Information

Image Sourcehoopla
First LoadedAug 10, 2023
Last UsedMay 20, 2024

Hoopla Extract Information

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    [synopsis] => Christina was the youngest of the four Rossetti children, born in England to Italian parents. Although she and her brother, the artist Dante Gabriel, were known as the 'two storms', Christina's passionate nature was curbed in a way that her brothers was not, as she submitted to the social and religious pressures that lay so heavily on Victorian women. Like Elizabeth Barrett Browning, she suffered the tyranny of a loving family. Her sister Maria's influence was described as 'a species of police surveillance', and Christina was always careful never to write anything that would hurt her mother. Often referred to as the 'High Priestess of Pre-Raphaelitism' Christina had a genuine lyric gift that could articulate both the joy of being alive and the bitterness of loss. Her desire for poetic excellence and moral excellence were continually in conflict and her poetry betrays the corrosive effect of this struggle. Christina's deliberate self-effacement, Dante Gabriel's portrayal of her as the meek virgin and William Rossetti's subjective role as editor and interpreter of her work have gradually blotted out the passionate lively spirit who wrote 'Goblin Market' — one of the most complex and disturbing poems ever written. Kathleen Jones looks at Christina's life alongside that of other nineteenth-century women writers — notably Emily Brontë, Elizabeth Barrett Browning and Emily Dickinson.
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