Painting below zero : notes on a life in art
(Book)

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Contributors
Published
New York : Alfred A. Knopf, 2009.
Physical Desc
x, 370 pages, 36 unnumbered pages of plates : illustrations (some color) ; 24 cm
Status
Downtown Lansing - 2nd Floor-Non-Fiction
921 Rosenquist
1 available

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Published
New York : Alfred A. Knopf, 2009.
Format
Book
Language
English
UPC
3040421

Notes

General Note
Includes index.
Description
"From James Rosenquist, one of our most iconic pop artists—along with Andy Warhol, Jim Dine, Claes Oldenburg, and Roy Lichtenstein—comes this candid and fascinating memoir. Unlike these artists, Rosenquist often works in three-dimensional forms, with highly dramatic shifts in scale and a far more complex palette, including grisaille and Day-Glo colors. A skilled traditional painter, he avoided the stencils and silk screens of Warhol and Lichtenstein. His vast canvases full of brilliant, surreally juxtaposed images would influence both many of his contemporaries and younger generations, as well as revolutionize twentieth-century painting. Ronsequist writes about growing up in a tight-knit community of Scandinavian farmers in North Dakota and Minnesota in the late 1930s and early 1940s; about his mother, who was not only an amateur painter but, along with his father, a passionate aviator; and about leaving that flat midwestern landscape in 1955 for New York, where he had won a scholarship to the Art Students League. George Grosz, Edwin Dickinson, and Robert Beverly Hale were among his teachers, but his early life was a struggle until he discovered sign painting. He describes days suspended on scaffolding high over Broadway, painting movie or theater billboards, and nights at the Cedar Tavern with Willem de Kooning, Franz Kline, and the poet LeRoi Jones. His first major studio, on Coenties Slip, was in the thick of the new art world. Among his neighbors were Ellsworth Kelly, Robert Indiana, Agnes Martin, and Jack Youngerman, and his mentors Robert Rauschenberg and Jasper Johns. Rosenquist writes about his shows with the dealers Richard Bellamy, Ileana Sonnabend, and Leo Castelli, and about colorful collectors like Robert and Ethel Scull. We learn about the 1971 car crash that left his wife and son in a coma and his own life and work in shambles, his lobbying—along with Rauschenberg—for artists’ rights in Washington D.C., and how he got his work back on track." --book jacket

Citations

APA Citation, 7th Edition (style guide)

Rosenquist, J., & Dalton, D. (2009). Painting below zero: notes on a life in art (First edition.). Alfred A. Knopf.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Rosenquist, James, 1933-2017 and David Dalton. 2009. Painting Below Zero: Notes On a Life in Art. Alfred A. Knopf.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Rosenquist, James, 1933-2017 and David Dalton. Painting Below Zero: Notes On a Life in Art Alfred A. Knopf, 2009.

MLA Citation, 9th Edition (style guide)

Rosenquist, James, and David Dalton. Painting Below Zero: Notes On a Life in Art First edition., Alfred A. Knopf, 2009.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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