"Tori Spring is tired of everything. She used to be able to deal with people, mostly because she ahd to. Now she can barely function in the ridiculousness of a school environment. She's bord. She's frustrated. She's worried about her brother Charlie. And she's not sure what she should do about anything. She wants he world to leave her alone. But the world has other ideas. A random Post-It leads Tori on a trail by someone going by the name...

"Cambridge professor Emily Wilde is good at many things: She is the foremost expert on the study of faeries. She is a genius scholar and a meticulous researcher who is writing the world’s first encyclopaedia of faerie lore. But Emily Wilde is not good at people. She could never make small talk at a party—or even get invited to one. And she prefers the company of her books, her dog, Shadow, and the Fair Folk to other people. So when she arrives...

Watashi o habamu mono wa, watakushijishin ni hokanaranai. Ragubī,-kin tore, koi to sekkusū futari no on'na o yukikisuru ibitsuna kyanpasu raifu. 28-Sai no kisai ga hanatsu, shin jidai no kyomu.

"Michael Nye's second collection of stories, Until We Have Faces, contend with transfixing themes: marital and familial estrangement, ways of trespass, the intractable mysteries and frights of modern life, the uncertainty of knowledge and truth, the gulfs between people and the technology we use, the frailty of our economic lives--while underlining throughout the persistency of love." --Provided by publisher.

"'The bisexual draft dodger living on the skids, the glamorous young widow in search of enlightenment, the skinny gamine from out of town who wants to make it in the movies . . .' These are the people who inhabit Gavin Lambert's mordant portrait of Southern California at the end of the 1960s: forever swapping addresses, lovers, and dreams. They live in extraordinary, suffocating wealth; or else flirting with a Mansonesque cult; or else in a fantasy...

"In the early 1980s, Giselle Chin, Jackie Ong, and Ellen Ng are three teenagers drawn together by their shared sense of alienation and desire for something different. 'Allied in the weirdest parts of themselves,' they envision each other as artistic collaborators and embark on a future defined by freedom and creativity. By the time they are adults, their dreams are murkier. As a performance artist, Giselle must navigate an elite social world she never...

"Qiū jīng gēqiǎn” de gùshì bèijǐng shèdìng zài 2017 nián, zhǔjiǎo sūyuèqiū shì xīn yímín xuéshēng, shìyìng bùliǎo xiānggǎng de shēnghuó, zìjué shì `yìxiāng rén'; lìng yī zhǔjiǎo yóu mǐn er shì sūyuèqiū de lǎoshī, suī zài gǎng tǔshēngtǔzhǎng, ài yú zhèngzhì fēnwéi jí shèhuì xiàn kuàng, yě shēngchū `cǐdì tāxiāng'zhī gǎn. Tāmen bǐcǐ yīkào, yòng yuèdú dàng zuò `táoshēng...